The hidden activity and geography of real-time peer-to-peer file sharing via BitTorrent is revealed in The Pirate Cinema an online piece by Nicolas Maigret. In this monitoring room, omnipresent telecommunications surveillance gains a global face, as the program plunders the core of restless activity online, revealing how visual media is consumed and disseminated across the globe. This live work produces an arbitrary mash-up of the BitTorrent files being exchanged in real time, based on the traffic of the Pirate Bay's top100 videos. These fragmentary contents in transit are monitored, transforming BitTorrent network users (unknown to them) into contributors to an endless audio-visual composition.


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